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December 26, 2007
If I Were an Early 80s New Wave Punk Band, I’d Reunite at Coachella
by Kitt Kat

While the rest of the world awaits the arrival of the holidays during the month of December, Southern California audiophiles eagerly anticipate information regarding an event less wholesome than Christmas, but undoubtedly more epic than the well-loved holiday.

That’s right, kiddos—Coachella lineup season has come to town.

Officially, Goldenvoice—the event’s promoters—release the 2008 festival lineup on January 21st. This date, nearly a month away, however, has not hindered hopeful Coachella attendees from speculating who will perform at the acclaimed three-day music festival in Indio, California this upcoming April.

Rumors are abound across the Information Super Highway, centering mainly on choice Los Angeles music blogs and the official Coachella message boards. From impossible wish lists (“Say, didn’t Joy Division break up when Ian Curtis killed himself?”) to confirmed performers as verified by ‘the brother-in-law of my mailman’s next-door neighbor’s deceased uncle,’ solid confirmations of potential performers have been nearly non-existent.

Smaller artists, as well as some sub-headliners, present promising cases of performing at Coachella ’08, given word-of-mouth confirmations from the artists themselves, or from artist availability on promotion and booking websites. (Possible appearances are slated from Death Cab for Cutie, The Verve, Portishead, Ladytron, and Caribou.)

Absent, however, from these officially unconfirmed confirmations, are any clear headliners for the festival. In fact, none of the usual contributors to the Coachella Rumor Mill can discern any of the eventual three ‘big name acts’ who will capstone each day of performances.

Usually noted for its promotion of some of the largest names in popular alternative music, as well as its revival of some of the most influential bands in recent musical history, Coachella and Goldenvoice seem to have either missed the boat on 2008’s most anticipated headliners, or have become extremely adept at keeping secrets from the general public.

To crush your Yorke-yearning desires before imagination supersedes logic—yes, I’m talking to you, Mr. Diehard Radiohead Fan—a Goldenvoice employee has confirmed that the famed British experimental rockers will NOT be playing Coachella this year, a pity, considering how the band was suspected for several months to be a shoo-in for the 2008 festival’s leading headliner. Nix any hopes of an appearance by The White Stripes, Led Zeppelin, or My Bloody Valentine as well; these bands, too, by process of research and elimination, show no signs of performing in the Palm Desert come April.

So, where does this leave Coachella and Goldenvoice promoters to turn? Whom shall grace the coveted Coachella Main Stage closing slot that hot, sweltering weekend in April? What bands will music lovers across the world shell out nearly $350 to see?

Two words: TALKING. HEADS.

They're so hip, hipsters can't even tell.

That’s right, you heard me correctly. The only way that Coachella can regain any ounce of authority and renown in the music festival circuit—especially after losing Radiohead—would be to book the most impossible reunion imaginable. So, Goldenvoice and Co., listen up closely. The following shall be your saving grace.

True, David Byrne isn’t exactly loved by his fellow band members; after disbanding officially in 1991, little hope of a legitimate Talking Heads reunion dwindled away with time between Byrne’s expanding ego and bad blood amongst former members. Yet, as of late, all signs seem to be pointing to a highly improbable, but completely believable chance at a Talking Heads 2008 performance at this year’s festival.

Not happening, you say? Completely unlikely? Perhaps, but, considering a reunion from both the band and Coachella’s promoters’ stance, Talking Heads would benefit themselves and Goldenvoice quite heavily, should a reunion take place this year. With a recent resurgence in their popularity, the band could pull a large draw—both in attendance and cash flow—keeping all pieces of the Coachella machine (audience included) well-oiled and content.

The idea of a Talking Heads reunion has been flittering around the Coachella message board as of late, and to be quite honest, with each passing day and with each potential headliner becoming unconfirmed, the idea suddenly transforms—albeit slowly—from fan-girl fancy to something of a realistic hope.

So, if I were the Talking Heads, I’d reunite at Coachella in 2008. Band mate hatred aside, that cold hard cash would be too hard to turn down.

Filed under: LA Local, News, Upcoming Shows @ 11:25 am

December 20, 2007
“The most won-DER-ful time…” Part IV
by Eric Ambler

Dec. 19: Super Furry Animals - “The Gift That Keeps Giving”

It’s been an under-the-radar year for SFA, but I think the video for this holiday-themed track that turned up (almost inexplicably) on this summer’s Hey Venus will have people remembering the Furries well after the 25th. Just don’t tell the children.

Filed under: News @ 6:31 pm

December 12, 2007
My ‘07 Top Ten (Part 1)
by Hans

Counting down from ten, here are the first five of my ten favorite albums from 2007. Rankings are always difficult after the top five, so the following feel a bit indefinite to me…but I tried:


10. Burial - Untrue
I’ve just started listening to this, so there’s not much I know about dub-step artist Burial. But with an impressive net score of 91 on metacritic.com, and a good first impression, I feel Untrue deserves to be included on this list. By just the artist, album, and cover art, you have an idea of what it sounds like. It’s a bit like Massive Attack, but with the eerie darkness of Black Heart Procession and a hint of that Daft Punk flair (some tracks more than others). Untrue evokes a range of enigmatic moods that warrants repeated listens.


9. Robert Gomez - Brand New Towns

Upon hearing Robert Gomez, the Elliott Smith influence is immediately obvious. While it’s possible he may just have the unfortunate circumstance of having an eerily similar voice, Gomez is by no means a rip-off artist. While the songs have the beautifully vulnerable, melancholic feel and whispered vocals of Elliott Smith, all the ideas on Brand New Towns sound compositionally fresh. One never feels he’s trying to fill the loss of Smith with himself. His music’s more of a tribute than an ape-ing, for he creates his own agency. The songs have a bit more harmonic daring, and some are actually optimistic! Gomez is clearly talented, for Brand New Towns is remarkably consistent. There’s nothing drastically innovative going on here in terms of style/genre, but Brand New Towns is a songwriter doing what he does best, and that’s good enough for me.


8. Frog Eyes- Tears of the Valedictorian
Frog Eyes is hit or miss for a lot of people. With their penchant for manic vocals, volatile harmonic movement, and raucous instrumentation, many find them difficult to listen to. Frog Eyes offers no relief for such individuals, as they continue to explode with unruly charm on Tears of the Valedictorian, which becomes obvious from the start on the ironically titled opener, “Idle Songs.” What intrigues me about Frog Eyes is how they manage to create such brilliant, inspired motifs and lace them within a circus-like maelstrom of sound. It sounds spontaneous yet preconceived, primal but cultivated. It’s intoxicating, and they champion this approach with “Caravan Breakers, They Prey On the Weak On the Old,” one of my favorite songs of the year. While the album could be described as “more of the same,” one does notice that many of the tracks are longer than usual. Whereas 8 of the 13 tracks on 2004’s The Folded Palm were under 2.5 minutes, the 9 tracks of Tears of the Valedictorian run for an average of about 4 minutes. They feel more like movements then songs, as seemingly unrelated ideas are connected within the same song. That said, the style still sounds very Frog Eyes, but there are few bands out there pulling off songs of jarring grace so well.


7. Band of Horses - Cease to Begin
It would seem that the positive response of Band of Horses’ debut album, Everything All the Time, gave them the confidence to polish their craft, for Cease to Begin sounds more cohesive and mature. While the debut album had plenty of engaging themes, they were undermined by mediocre song structure. They would be approached too quickly, left undeveloped, or overshadowed by too much other, less interesting material. But on Cease to Begin, the core delight of the songs are carried through their entirety; you love them from start to finish. The best examples of this are the phenomenal “Island on the Coast” and “Cigarettes Wedding Bands.” Cease to Begin has some down-tempo numbers, and while they are warm and professional, I would say they are the album’s weakness, as they damage its consistency. Nevertheless, the album’s highlights more than outweigh its setbacks. This album was surprisingly good, and I feel like an eye should be kept on Band of Horses’ future output.


6. The Tough Alliance - A New Chance
Another pleasant surprise from Sweden. The Tough Alliance sounds like Röyksopp and Junior Boys teaming up with Jim Henson. It’s primarily vocals and synths/electronics, all wrapped in tangible fun. It’s frisky, giddy, and high-spirited, but it avoids drowning you in sunshine and the obnoxiously saccharine, cloying nature of twee-pop groups like The Polyphonic Spree (sorry TPS fans) with variations in ambience and mood. “Miami,” for example, is in minor, but still creates an energizing texture. Just listen to “Something Special,” “First Class Riot,” or “The Last Dance,” they should put a smile on anyone’s face.

Filed under: Art, New Music, Revisited @ 2:29 am

December 11, 2007
“The most won-DER-ful time…” Part III
by Glenn Fischer

For those of us who grew up in the South, Arron Neville’s Christmas Concert was a highly-anticipated event. Whether we liked it or not, our parents made us watch it. So here you are with Arron Neville’s original Christmas classic, “Louisiana Christmas Day”.

The Squiggliest Voice On Earth

Filed under: News @ 12:38 pm

December 8, 2007
“The most won-DER-ful time…” Part II
by Eric Ambler

Dec. 7: The Pogues feat. Kirsty MacColl - “Fairytale of New York”

Arriving a decade before the Dropkick Murphys and Flogging Molly, the Pogues blazed a path to mainstream success for Celtic punk bands with, um, less-than-traditional vocalists with this maudlin-sounding Yuletide duet, colloquially known as “Christmas In the Drunk Tank.”

Any Christmas song that contains an exchange like “You’re a bum, you’re a punk/You’re an old slut on junk” is alright by me. Happy holidays!

Filed under: News @ 12:32 am

December 4, 2007
“The most won-DER-ful time…” Part I
by Glenn Fischer

Yes, it’s that time of year again. Time to search your hard-drives for that “XMAS MIX 2001!” you made years ago and start bumpin’ it. If you can’t find it, Bandwidth is here to save the day.

This will be the inaugural post in which we’ll feature both classic and new holiday songs/videos for you, the readers. Every few days until Christmas Day we’ll be posting a video or two.

Dec 4: A Charlie Brown Christmas

Happy Holidays,

Bandwidth and KSCR

Filed under: News @ 1:47 pm

“Who gives a fuck about an ‘Oxford Comma?’” We Do.
by Zak Wolf

Vampire Weekend came to the Echo last night and they killed. These witty preps from NY played a great live set, effectively translating their unique sound onto a live stage with a ton of energy. Long live danceable bass lines, airy island guitars, and diverse rhythms. Oh! and that keyboard! The boys got some chops. Did I mention the wonderful lyrics? Hold on, I think I’m drooling.

Indeed, there’s a lot of buzz surrounding this band of four Columbia grads - so much that even MTV got an interview with Ezra, Rostam, Christopher, and Chris. The best part about all of this? Vampire Weekend doesn’t even release their debut self-titled until January 29th. Granted, their notorious “Blue-CDR” of recorded full length promos was leaked and has been floating around the internet for awhile. But, that’s a lot of hype for a band with no official LP. So, why all the buzz?

Answer: Gloriously catchy tunes, excellent live shows, and a fresh sound.

Say all you want about Paul Simon’s Graceland, early Talking Heads, and African tribal music/drums. These kids can play fantastically well, and desearve the attention. Here’s a video of “Mansard Roof”:

Pick of the set: “Oxford Comma.” Vampire Weekend is out 1/29/08 on XL.

Filed under: LA Local, New Music, Show Reviews, Trends, Video @ 1:19 pm

December 3, 2007
Los Campesinos! (Yes the exclamation point is part of their name)
by alex.guzman

Some of my favorite concerts are those by new bands who are still truly humble and grateful to their audiences, Los Campesinos!’s show at the Echoplex on Nov. 27 was just that. Their set was short (but not too short), energetic, and…well as fun as you’d expect a band named Los Campesinos! to be. It was really refreshing to see how truly excited they were to play on the West Coast “in Hollywood” as they kept repeating to the audience in between their songs, and it showed in the energy they put into each of their songs. Some songs I’d recommend would be “We throw parties, you throw knives”, “Don’t tell me to do the math(s)”, and “You!Me!Dancing!”.

Their opening band was The Most Serene Republic who were excellent despite their slightly creepy lead singer…

Filed under: LA Local, New Music, Show Reviews @ 5:44 pm

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